Sunday, February 28, 2010

Essay: Ethnocide, or the Death of Language and Conversation





To coincide with one direction that I think would be beneficial for the Heap to head in, I'm posting an essay I wrote last semester for my Composition class. The essay is on Eugene Ionesco's Absurdist play, "The Bald Soprano" (a personal favorite of mine). I hope everyone will take a few minutes to read it and then leave some thoughts, it certainly would be appreciated.
Here's a performance of a scene from the play (a little hard to hear, but the best adaptation I could find on youtube).
The essay can be found here.

*Picture is from a visual treatment of the play by Robert Massin. Others are worth looking at, and can be found here. Sorry, its in French.

-Jordan C. Ozubko

Wednesday, February 10, 2010

Natalie Bush- Artist



Since it's late, and I have tendencies to ramble, I'll keep this first post of mine short and simple.
Natalie Bush, college senior, is a painter, poet, and photographer. She has a talent for blending these art-forms, as well as others, together to create beauty. Her pieces reach an achievement many artists' works fall short of doing, they spark something in you and cause you to think about things other than exactly what is right in front of you. She's something different, and something brilliant.
Check out her website
-Emily

Monday, February 8, 2010

POST #22

I'm taking a break from doing the band of the week this week, instead I'm just going to post a bunch of links to artists that I've discovered over the past month or so and you can check them out without any pretext.
The reason that I'm forgoing the usual fare this week is because I feel Heap has grown a little stale and only rooted in music related posts, I'm working on introducing some new things soon to remedy that.
Of course, I'm kicking that off with this post, which is music related...

Bombadil

Bowerbirds

Megafaun

Rocky Votolato

Two Door Cinema Club

Danger

Fanfarlo

Andrew Morgan

Matt Pond PA

Dawes

Thursday, February 4, 2010

BAND OF THE WEEK: KITTENS ABLAZE


Political music is very hit or miss with me. When I can tell that it's sincere, and the band actually feels what they are playing, then, to me there's nothing quite as visceral and exciting. When it feels like the singer is just jumping on the bandwagon and complaining to show how "concerned" they are, I can't stand it. Recently most folk/americana acts have felt that way to me, they didn't want to incite any real change, they really just wanted to get attention, maybe it was because it was just so easy to join everyone else in hating George Bush, you always knew your band would agree with you. Don't get me wrong, I really like Bright Eyes (I figured I'd just get right out to saying what bands I was talking about) but it never felt real when Conor Oberst shouted "I'm wide awake, it's morning!", after listening I didn't feel like getting up and changing things, I just felt like a complacent middle class white-kid, content with sitting at a starbucks and complaining about how awful authority is.
Kittens Ablaze is not Bright Eyes, they didn't choose an easy time to criticize the government and it's leaders. Dissenters are no longer typified as anti-war protesters, people fighting passionately for a good moral cause as they were under Bush, instead they are seen as (often appropriately) nut-jobs and racists, people holding miss-spelled signs demanding the president's birth certificate. It's not easy to be political in a time like this, but Kittens Ablaze shrugs off any warning that they might have received and throw themselves right into the throng while still standing miles away from the Fox-News induced insanity.
Their music does not punch you in the face with knowledge like Rage Against the Machine, but it is just as passionate, possibly more so. The band is a six-piece Folk-Punk-Americana outfit from Brooklyn whose sound recalls a blend of Los Campesinos!, The Decemberists, and Bright Eyes. They've come to be known for their high-energy live performances, (they smashed a cello at SXSW last year), and the music to go with it.
If you aren't really down with politics at all it's okay, their music isn't all throwing stones at the windows of the establishment, they also deal with issues of morality and things of the like.

Sorry I spent most of this post knocking on Bright Eyes, I really do like their music.
anyway... check out the link below to hear something that's relatively unlike anything you've ever heard before.

KITTENS ABLAZE